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Wedding Photography Tip: MOVE BACK!

We often forget to distance ourselves when we are caught up in the midst of activities during a wedding. It’s excellent to shoot close ups with a wide angle lens, getting intimate, candid expressions (if you are a good “people-person”), achieving all those “being-involved-in-the-action” shots… BUT there are times we need to Step Back a little…

The same goes in life, when being up close and personal to someone you love ALL the time gives the person NO private space and you will most likely end up being “bashed”! LOL…

So, MOVE BACK or STEP BACK a little… and you will begin to see a different world altogether…

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For the Olympus lovers, this was shot on Olympus E-620, 14-54mmmk2.

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Kids. Wedding Photojournalism.

Wedding Photojournalism is to capture un-posed moments in an unobtrusive style. By now, “everyone” seem to be doing it… as digital seems so easy… without the stress of wasting films. It has also become a lot more sloppy in the industry.

This started in the early 1990s, when black and white films were being used due to the need for high speed ASA1600-3200. As there were (and still is if not worse…) limited choice of high speed film available in the market, wedding photojournalists had to shoot black and white, as choices were limited to either the Fuji Neopan 1600 or the Ilford Delta 3200. Of course, some chose to push process ASA400 B&W films…

The color film choice would be the Fuji Superia 1600 but it seemed that grains in color film were NOT as widely accepted as grains in black and white films so wedding photojournalism ended up mostly black and white.

Just yesterday, I received news from a friend’s email that Fuji is discontinuing it’s Neopan1600 film. I find this totally idiotic when in recent years, there has been a significant resurgence of film users! And Kodak has just developed 2 NEW films for us over the last 2 years! (though they also discontinued the Kodachrome)

It’s sad news to me and to many B&W film users…

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Girl. Wedding Photojournalism.

Kids are beautiful subjects all the time!

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shot with Leica M6, 15Heliar, Tri-x 400.

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done with 15 heliar, leica m6.

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Shot on color negative. Wedding Photojournalism, Kuala Lumpur.

The beginning of “A Photo A Day” in this site started because of “No Idea How To Compile My Zillion of Works Done Through The Years” and the practical laziness of selecting more than 30 shots a day for an album. I’d rather spend more time shooting than anything else. That’s the imbalance in me.

Since the start of “A Photo A Day” in both of my blogs (blogspot as well), I have learned that posting a photo a day makes me think hard about that one particular shot over a 24 hour window. I begin to scrutinize it’s flaws and study how to do better. It makes me concentrate better on segregating my street photography and other works from my commercial works. The discipline of blogging daily in this style is keeping me sharp. It helps me avoid sloppiness. It helps in reinforcing my focus on doing what I love.

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shot with Nikon FM3A, 85mm F1.8 lens.

It’s Good To Be A Child Again!

My Baby

My Baby

I have always been viewed as a “Big Kid” among my friends and families. I have my swinging moods, my endless questions, my annoying curiosity, and I talk more than I listen, and worse, I’m always doing the opposite.

In photography, I have gone through being a truly commercialized wedding photographer, shot dozens and dozens of couples in a year till you literally forget their names, faced fierce back-biting from fellow competitors in the industry and being called names. In those days, I have also earned enough to own many expensive equipments, ran 1 gallery and 1 studio at a time, and spent massively in advertising.

But now, I am telling you, “It’s always good to be like a child once again!”

I ask myself so frequently, “Why am I doing what I am doing?”, “Why did I ever pick up photography?” and “Why did I become a wedding photographer?” As for the last question, my answer is “I like to see people happy!”

Being a child again means, we’ve gotta get back to basics. We have to return to our roots. We have to love what we do and do what we love! We must be pure in our intentions. We have to be honest to ourselves and to the ones we love. We ought to be simple. We also have to be darn curious about everything. We ought to be sensitive to everything around us, our own feelings, others’ feelings. Bottom line – We have to be sincere.

Commercialization in weddings takes away it’s original true meaning. As wedding photographers, we should feel honored that we are chosen to document someone’s once-in-a-lifetime event. We should remain faithful to it’s original intention and meaning – documenting it in it’s happiest form! NOT use it to selfishly win recognition through awards to gain personal fame and glory.

Every wedding is already different by itself. We don’t have to try to make it more different. In trying too hard to make things different, we end up showing off more of the photographer’s gimmicks than the couple’s true joy. Now, before some industry award winners start shooting me, I am not saying awards are bad. Winning awards from established wedding photography organizations can motivate us to learn and improve our skills and give us more confidence to come out with more masterpieces. But I am talking about our intentions.

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Don’t sacrifice your wedding couples. If all you are looking out for through your viewfinder on a wedding day is award-winning shots, you sure miss many simple but important and necessary document shots. Believe me, an artistically blurred movement shot of the back of a bride for example, won’t be more important than a F8 sharp smiling posed shot of the bride and her dad. Before you know it, dad won’t be around anymore. People die. We all die.

If I only live to win recognition, I’d rather die.