Sometimes, you don’t need a reason why you love a photograph. It’s just like sometimes, you don’t know how to explain why you love someone, why you like something or why you enjoy certain moments in life. God gave us two sides of the brain, the right side for emotions and creativity, the left side for rationalization in which everything must come with a reason. Just imagine if you live life entirely on rationalization, how would life be for you? (vice-versa of course)
But in photography or paintings, I find that there’s really no absolute way to explain why you love a photograph or a painting. I have taught many students photography by now, but I still find that there’s something in photography which can never be taught. It is what’s deep inside you. Your character, personality and the way you express it.
A sharp eye can often tell a photograph that’s made from the heart apart from a photograph that’s made from the mind.
I love the photograph above. Maybe it’s because I grew up with a dad who’s often not around. I remember my grandma being the closet to me when I was young, and then my two sisters who are much much older than me.
My memory of my dad consists of certain times when he would bring us swimming at the old East Coast Park Lagoon in Singapore, early hours at the Singapore Botanic Gardens where I picked up tadpoles home to see them turn into frogs (probably my mum’s idea), and the rest of it are probably scoldings when I turned Christian during my teenage days.
I guess my dad is not too bad after all cause I still have some memories of him spending time with the family. 🙂
Today, I am a dad myself, pretty much a “hands-on dad” (recently got lazy though). I was the first one to hold his little palm when he was born, and I pretty much stick around him most of the time. He’s six now. Time flies.
I love the intimacy in the image above. The silence, the quietness, the look in their eyes. It’s as if their thoughts are crossing each other, communicating in silence. Jun Ching and Michelle, thanks for making this picture happen!
Father’s Day is coming on the 17 June, I am launching a promotional portrait session for all fathers here! For RM200, you will receive a studio session which includes one framed portrait free. For more information, please contact me at email@example.com or call me at +6012 636 2128. Promotion ends 30 June 2012.
Sometimes, good stuff comes last minute… I suddenly feel like giving a promotion… A Studio Portrait, 8 x 10 inches, framed with wood and glass for Mothers for only RM200 for the 1st 8 customers who book the portrait session with me!
Valid only on May 12 (Sat) and May 13 (Sun). OFFER Extended till 31 May 2012!!!
To ALL the mothers in the world, I wish you a Happy Mother’s Day! Your sacrifices are beyond what words could describe!
studio portrait done in my studio
It’s my pleasure to photograph this local artist. Here’s his current website which is yet to be updated: http://www.khylune.com/
Portrait of an Artist
I have recently shifted my studio to a landed property, a link house. My studio size has shrunk by half but I am happy with my new setup. I am also happy to be working more privately in my own little space, a good place for thoughts, for sorting out my mess, and an ideal place to serve my clientele in my preferred homely and private manner. As such, my new studio is only open to my clients and not to the public. Stay tuned as I gradually update my portfolio in this website. I thank all of you who love my works and who supports me.
Footprints, permanent ones.
Couple packing up their mobile store after a morning of work in the street market
Rush, rush, rush… I’ve been like this traveller lately. No time to eat.
Man smoking, waiting. Olympus E-P1 at 14mm, 16:9 format, built-in art filter. I was about 2 metres from my subject.
I have recently grown much in love with small cameras like the Olympus E-P1, Leica M6, Rollei 35mini, and even the old classic legendary half-frame Olympus PEN FT, just to name some. My madness and fanaticism over small cameras is not getting any better and in fact, is getting worse… though the Leica M9 at RM25k is way out of reach. I figured that I can do the same thing by mounting my Leica lenses on my Olympus E-P1 via an adaptor and manual focus it even better than the M9 by using live view. Haha… self-consolation maybe. Or use my full-frame film Leica M6. Cheers man!
Still, I am often humbled by the fact that good images do not rely on good cameras BUT good photographers! Just browse through Flickr and you will be humbled just like me. Many of my favourite shots often come from my small compact cameras too.
Why own a perfect, what I call a “magic camera” like the Nikon D700 or D3, that when you wanna “steal a shot”, the cameras are so huge that you will be caught way before you press your shutter button! Not unless you are using a 70-200mm telephoto or even longer, and stand 50 -100 feet away. However, I also remember Robert Capa said,” If your pictures aren’t good enough, you aren’t close enough.“ So, I guess wide angles and standards are still my preferred choices. I like to sneak up close and personal, “steal” a shot without scaring my subjects with huge cameras, and sometimes, “ask” for a shot from my subjects. (I’ll be writing on the difference between “stealing” and “asking” for shots in another post).
So, why do I call the D700 a “magic camera”? Cause it really can continue shooting at ISO6400 or higher when all other cameras “died” in the darkest environment ever. (Of course the Canon 5Dmark2 too will continue shooting, but maybe focus blur. Kidding… cause personally I think Nikon’s AF is better).
Then the Olympus shooters will exclaim, “why shoot in such lowlight when the lighting is not even good, all flat?” And the Olympus shooters will whip out their off-camera TTL flash and boasts of the best skin tones and lighting achievable in such situations! No doubt, they will get the best-looking portraits.
I often wonder, why still shoot when all around you is so blindly dark??? Oh, then I figured that maybe you are a paparazzi or a private investigator doing your job trying to catch someone in their “act”. Lighting is no longer important, “the act” is more!
Now that I’ve been missing my big SLRs, let me try listing down it’s advantages.
ADVANTAGES OF BIG DSLRs:
1. Faster frame rates (but the loud clanky shutter sounds will give you away)
2. Size and look will boost your self-confidence or ego (if being regarded as a professional by “how you look” is more important to you than your images)
3. Faster auto-focusing (compact cameras with F8 aperture can “focus ” faster due to deeper depth-of-field)
4. More inter-changeable lens choices (an up close personal 28mm F8 shot of a stranger on the street is a 100 times more compelling than a 85mm F1.2 shot showing a reluctant face)
5. You look like a PRO, you look like a PRO, you look like a PRO. Oh, what can I say? The whole world thinks you are a PRO. You get people asking you for business cards. You don’t really have to show your images. The gear you hang on your body speaks everything. No one dares to comment openly about your images. All you will hear is,“Nice. Very professional.” (I’d rather not live in delusion)
Conclusion: Yes, I still use my big professional SLRs when the need arises (faster frame rates, lenses, etc.) But I will always want my images to speak for me, NOT my equipments.
And the power of small cameras must not be undermined! A small and insignificant camera with a quiet shutter doubles up your photographic opportunities, even triples! It also tests your communication skills with your subjects!
One of the greatest miracle in life is to have a baby!
I learn the most from my baby. I learn to love my wife even more when she was pregnant. No books on earth can teach you all these. The above are just some selected shots from the 1st roll I shot. More to come in the near future.