I have always been viewed as a “Big Kid” among my friends and families. I have my swinging moods, my endless questions, my annoying curiosity, and I talk more than I listen, and worse, I’m always doing the opposite.

In photography, I have gone through being a truly commercialized wedding photographer, shot dozens and dozens [...]]]>

My Baby

I have always been viewed as a “Big Kid” among my friends and families. I have my swinging moods, my endless questions, my annoying curiosity, and I talk more than I listen, and worse, I’m always doing the opposite.

In photography, I have gone through being a truly commercialized wedding photographer, shot dozens and dozens of couples in a year till you literally forget their names, faced fierce back-biting from fellow competitors in the industry and being called names. In those days, I have also earned enough to own many expensive equipments, ran 1 gallery and 1 studio at a time, and spent massively in advertising.

But now, I am telling you, “It’s always good to be like a child once again!”

I ask myself so frequently, “Why am I doing what I am doing?”, “Why did I ever pick up photography?” and “Why did I become a wedding photographer?” As for the last question, my answer is “I like to see people happy!”

Being a child again means, we’ve gotta get back to basics. We have to return to our roots. We have to love what we do and do what we love! We must be pure in our intentions. We have to be honest to ourselves and to the ones we love. We ought to be simple. We also have to be darn curious about everything. We ought to be sensitive to everything around us, our own feelings, others’ feelings. Bottom line – We have to be sincere.

Commercialization in weddings takes away it’s original true meaning. As wedding photographers, we should feel honored that we are chosen to document someone’s once-in-a-lifetime event. We should remain faithful to it’s original intention and meaning – documenting it in it’s happiest form! NOT use it to selfishly win recognition through awards to gain personal fame and glory.

Every wedding is already different by itself. We don’t have to try to make it more different. In trying too hard to make things different, we end up showing off more of the photographer’s gimmicks than the couple’s true joy. Now, before some industry award winners start shooting me, I am not saying awards are bad. Winning awards from established wedding photography organizations can motivate us to learn and improve our skills and give us more confidence to come out with more masterpieces. But I am talking about our intentions.

Don’t sacrifice your wedding couples. If all you are looking out for through your viewfinder on a wedding day is award-winning shots, you sure miss many simple but important and necessary document shots. Believe me, an artistically blurred movement shot of the back of a bride for example, won’t be more important than a F8 sharp smiling posed shot of the bride and her dad. Before you know it, dad won’t be around anymore. People die. We all die.

If I only live to win recognition, I’d rather die.

I’ve been a professional photographer for more than 12 years, specializing mainly in portraits, weddings, people photography, whether choreographed or on-the-move. I have been a fervent Canon and Nikon user for years. But never have I encountered a small camera like the Olympus E-P1 that produces such quality in [...]]]>

Olympus PEN E-P1, image taken from dpreview.com

I’ve been a professional photographer for more than 12 years, specializing mainly in portraits, weddings, people photography, whether choreographed or on-the-move. I have been a fervent Canon and Nikon user for years. But never have I encountered a small camera like the Olympus E-P1 that produces such quality in it’s size with such user-friendly features.

Talking about “Making Photography Easy”. For years, since the camera was invented, the world has been wanting to make photography easy. A view-camera needs about 11 adjustments in order to take a picture. Then came the Nikons and Canons that only require THREE adjustments: Aperture, Shutter Speed and Focus in order to take a picture. And if this wasn’t easy enough, cameras that came later began to even do all THREE adjustments for us – the Program Autofocus SLRs!

To read a detailed article on the above, click here.

Olympus E-P1, shot through car windscreen in a rain, B&W art filter, 16:9 format.

Olympus E-P1 set to manual focus, b&w art filter, 16:9 format.

This shot shows that E-P1 is quick enough to capture action. My son did this action in a split-second. Though not as fast as a DSLR, it is not that bad after all.

I often ask myself, “Why do camera-designers always want to make things easier for us?”

Especially as a earning professional photographer, doesn’t it seem obvious that as photography gets easier and easier, our commanding prices go lower and lower since more and more people think that they can “do-it-yourself” anyway?

But if I think as an artist, I just want to focus on my feelings, my imaginations, my visions and indulge in all my five senses when I go out and create images with my camera.

Isn’t it so much easier to have a camera that doesn’t interfere with my thoughts, by introducing questions like what aperture to use and what shutter speed to set or whether the image is in focus?

Okay, you may disagree with me on this cause deciding how blur the background we want it to be or whether to use a slower shutter speed to depict movement, or whether to set it off-focus in order to create some abstractness do play a part in our creativity process.

But my point is, sometimes it really helps if you just indulge in all your five senses without being distracted by technical functionalities, and shoot what you feel!

Olympus E-P1, B&W art filter, 6:6 format. I pre-focused the camera to infinity before reaching out to shoot the birds returning to their home using the grainy black and white art filter mode.

Who says you can't see beautiful sunset downtown KL? Shot using "Sunset" Mode in Olympus E-P1, 16:9 format.

Shot using "Pop Art" art filter, Olympus E-P1, 16:9 format. This is a spontaneous shot, again done within seconds spotting the chef's head covered by a bunch of roast pork

Olympus E-P1, shot using "landscape" mode. It really does make the sky much nicer., 6:6 format

In today’s digital professional photographer’s context, things have just gone a lot worse! Our modern DSLRs contains at least 100 menu and function options! It throws you questions like “D-Lighting Off, Default, Auto, On, Normal?”, followed by trick questions like “Compression: Lossy or Lossless?”… etc. and etc.

Today, many professional digital photographers began to take pride in “setting their camera professionally” rather than concentrate on creating excellent images. Photography seems to have “developed more professionally” in recent digital days, cause to operate a DSLR is 100 times more difficult than an old film SLR!

And so we started thinking, maybe we can charge our clients more, since photography has gone so “difficult”! We started to tell our clients how high-end our equipments are, how difficult to use them, how expensive they cost, in order to justify and convince our clients to buy our services. I always thought as a proficient photographer, shouldn’t we be confident that our clients engage us because our works are good, not because of what equipment we own?

Olympus E-P1, B&W art filter 6:6 format

Olympus E-P1, B&W art filter, 4:3 format

The Olympus E-P1 is a camera so small that it fits into your bag easily. I have been carrying it and using it almost everyday since I bought it about 2 months ago. I use it for shooting “nonsense” in my daily life, use it for casual street shooting, and even use it for my professionally-paid wedding jobs!

I was caught previewing on the E-P1. DON'T SPEND TIME ON PREVIEWS! CONCENTRATE ON GETTING YOUR SHOTS!

FOR THE GEEKS:

The ISO is absolutely usable up to 3200. The default setting already produces fantastic images. It’s Auto ISO is also pretty reliable (I hardly have to switch it about). It’s IS (image stabilization) is most impressive! I ever use it down to 1/2 sec and still get a reasonably sharp picture.

You can choose to set “Graduation” to “Normal” instead of “Auto” to get deeper blacks but personally I prefer “Auto” as I prefer to increase contrast in Adobe Lightroom when necessary. I find that images can get too contrasty sometimes if I set it to “Normal”.

Olympus E-P1, Pin-hole effect art filter, 4:3 format

Olympus E-P1, Pin-hole effect art filter, 6:6 format

Olympus is amazing in it’s in-camera processing! It produces such good Jpegs that you almost have no necessity to shoot in RAW for easy post-processing. It’s absolutely a camera for people who just want to concentrate on ARTS and have minimal worries on camera settings or post-processing.

Also, you can choose to shoot in 4:3 format (default), 16:9 format, 3:2 format or 6:6 format for your creativity.

I fell in love with E-P1 files once I laid my eyes on it in a camera store downtown and immediately ordered one for myself. I find that Olympus’s digital files are processed in such a way, closest to what film achieves comparing to other brands. Being a fervent film shooter, I can easily appreciate Olympus’s efforts in processing their digital files closest to what film achieves. (But if you really like film, shoot film! Digital still has it’s digital characteristics in it.)

I have used the Canon 5D, the Nikon D700 (owned 2 of each at my craziest times). I have gone through post-processing my images since “Adobe Photoshop 5″ days. I would say this digital route for me since the Canon D60 (if anyone still remembers what it is) has been crazy! (I plan to write about my crazy path of switching from film to digital in a later post, so keep me bookmarked if you are interested).

What I can say is that after comparing the Canon files, the Nikon files and the Olympus files, I love the Olympus files the most! (Olympus is not paying me to say this)

I love the noise (It’s different from the Canon or Nikon’s noise), I love the skin tones, I love the contrast, I love the blacks (Nikon and Canon somehow captures blacks as grays), I love the colors and I love it’s Grainy Black and White and Pin-hole Art Filters!

Shot by my wife using "sunset mode". She's not a photographer, if you know what I mean.

Then, I love it’s handsome looks and it’s size too.

The best camera is the camera you can easily grab and use when opportunity arises. If you are looking for a camera that can boost your creativity, and it’s light and easy to carry around, with quiet and unobtrusive shutter sound, achieves jpeg files that require minimum post-processing, plus an added convenience of HD video recording (get an adaptor for leica m-mount lenses and you can easily achieve cinematic effects with F1.4 blur)… … … …

THIS CAMERA IS FOR YOU!

This is the start of a series of classic wedding images I intend to post, pictures I believe that can last forever with no expiry dates tagged, images not overdone with photoshop effects. Though they may not catch the common eye with a [...]]]>

A meaningful way of introducing newly wed to their new family members

This is the start of a series of classic wedding images I intend to post, pictures I believe that can last forever with no expiry dates tagged, images not overdone with photoshop effects. Though they may not catch the common eye with a SHOCK, and make them crack their heads thinking, “how did he ever do that? what lens? strange effect. he must be really good!” My images are meant to show off as much as possible, the true essence and ambiance of the actual scene captured through my eyes and NOT to show off my equipment or my knowledge in photography gimmicks. I’d rather choose the path of faithfully creating real and honest photography. Well, that’s the direction I’m taking now.