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	<title> &#187; huge cameras</title>
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		<title>The Power of Small Cameras</title>
		<link>http://www.davidchuaphotography.com/2009/10/12/the-power-of-small-cameras/</link>
		<comments>http://www.davidchuaphotography.com/2009/10/12/the-power-of-small-cameras/#comments</comments>
		<pubDate>Mon, 12 Oct 2009 01:21:51 +0000</pubDate>
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				<category><![CDATA[Black and White]]></category>
		<category><![CDATA[Equipment Reviews]]></category>
		<category><![CDATA[Mirrorless Cameras]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[compact cameras]]></category>
		<category><![CDATA[huge cameras]]></category>
		<category><![CDATA[Leica]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[Olympus]]></category>
		<category><![CDATA[Olympus E-P1]]></category>
		<category><![CDATA[Olympus Pen FT]]></category>
		<category><![CDATA[rangefinders]]></category>
		<category><![CDATA[Rollei]]></category>
		<category><![CDATA[small cameras]]></category>
		<category><![CDATA[street photography]]></category>
		<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[thoughts on photography]]></category>
		<category><![CDATA[unobtrusive photography]]></category>

		<guid isPermaLink="false">http://www.davidchuaphotography.com/?p=734</guid>
		<description><![CDATA[<p class="wp-caption-text">Man smoking, waiting. Olympus E-P1 at 14mm, 16:9 format, built-in art filter. I was about 2 metres from my subject.</p> <p>I have recently grown much in love with small cameras like the Olympus E-P1, Leica M6, Rollei 35mini, and even the old classic legendary half-frame Olympus PEN FT, just to name some. My madness [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_735" class="wp-caption alignnone" style="width: 550px"><img class="size-large wp-image-735" title="man smoking" src="http://www.davidchuaphotography.com/wp-content/uploads/2009/10/P7210855-600x340.jpg" alt="Man smoking, waiting. Olympus E-P1 at 14mm, 16:9 format, built-in art filter." width="540" height="306" /><p class="wp-caption-text">Man smoking, waiting. Olympus E-P1 at 14mm, 16:9 format, built-in art filter. I was about 2 metres from my subject.</p></div>
<p>I have recently grown much in love with small cameras like the <a href="http://www.davidchuaphotography.com/2009/09/07/olympus-e-p1-a-class-of-its-own/" target="_blank"><strong>Olympus E-P1</strong></a>, <a href="http://en.wikipedia.org/wiki/Leica_M6" target="_blank"><strong>Leica M6</strong></a>, <a href="http://www.retrothing.com/2008/04/rollei-35mm-cam.html" target="_blank"><strong>Rollei 35mini</strong></a>, and even the old classic legendary half-frame <a href="http://www.dantestella.com/technical/penf.html" target="_blank"><strong>Olympus PEN FT</strong></a>, just to name some. My madness and fanaticism over small cameras is not getting any better and in fact, is getting worse&#8230; though the <a href="http://www.dpreview.com/previews/leicam9/" target="_blank"><strong>Leica M9</strong></a> at RM25k is way out of reach. I figured that I can do the same thing by mounting my Leica lenses on my Olympus E-P1 via an adaptor and manual focus it even better than the M9 by using <a href="http://en.wikipedia.org/wiki/Live_preview" target="_blank"><strong>live view</strong></a>. Haha&#8230; self-consolation maybe. Or use my full-frame film Leica M6. Cheers man!</p>
<p>Still, I am often humbled by the fact that <a href="http://www.kenrockwell.com/tech/notcamera.htm" target="_blank"><strong>good images do not rely on good cameras BUT good photographers!</strong></a> Just browse through <a href="http://www.flickr.com" target="_blank"><strong>Flickr</strong></a> and you will be humbled just like me. Many of my favourite shots often come from my small compact cameras too.</p>
<p>Why own a perfect, what I call a &#8220;magic camera&#8221; like the <a href="http://www.dpreview.com/reviews/NikonD700/" target="_blank"><strong>Nikon D700</strong></a> or <a href="http://www.dpreview.com/reviews/nikond3/" target="_blank"><strong>D3</strong></a>, that when you wanna <strong>&#8220;steal a shot&#8221;, </strong> the cameras are so huge that you will be caught way before you press your shutter button! Not unless you are using a 70-200mm telephoto or even longer, and stand 50 -100 feet away. However, I also remember <strong><a href="http://en.wikipedia.org/wiki/Robert_Capa" target="_blank">Robert Capa</a> said,&#8221; <span class="body">If your pictures aren&#8217;t good enough, you aren&#8217;t close enough.</span>&#8220;</strong> So, I guess wide angles and standards are still my preferred choices. I like to sneak up close and personal, &#8220;steal&#8221; a shot without scaring my subjects with huge cameras, and sometimes, &#8220;ask&#8221; for a shot from my subjects. <em>(I&#8217;ll be writing on the difference between &#8220;stealing&#8221; and &#8220;asking&#8221; for shots in another post).</em></p>
<p><strong> So, why do I call the D700 a &#8220;magic camera&#8221;? </strong>Cause it really can continue shooting at <strong>ISO6400 or higher</strong> when all other cameras <strong>&#8220;died&#8221;</strong> in the darkest environment ever. <em>(Of course the <strong>Canon 5Dmark2</strong> too will continue shooting, but maybe focus blur. Kidding&#8230; cause personally I think Nikon&#8217;s AF is better)</em>.</p>
<p>Then the Olympus shooters will exclaim, &#8220;why shoot in such lowlight when the lighting is not even good, all flat?&#8221; And the Olympus shooters will whip out their off-camera TTL flash and boasts of the best skin tones and lighting achievable in such situations! No doubt, they will get the best-looking portraits.</p>
<p><strong>I often wonder, why still shoot when all around you is so blindly dark???</strong> Oh, then I figured that maybe you are a paparazzi or a private investigator doing your job trying to catch someone in their &#8220;act&#8221;. Lighting is no longer important, &#8220;the act&#8221; is more!</p>
<p>Now that I&#8217;ve been missing my big SLRs, let me try listing down it&#8217;s advantages.</p>
<p><strong>ADVANTAGES OF BIG DSLRs:<br />
</strong></p>
<p>1. Faster frame rates <strong>(but the loud clanky shutter sounds will give you away)</strong></p>
<p>2. Size and look will boost your self-confidence or ego <strong>(if being regarded as a professional by &#8220;how you look&#8221; is more important to you than your images)</strong></p>
<p>3. Faster auto-focusing <strong>(compact cameras with <a href="http://en.wikipedia.org/wiki/Aperture" target="_blank">F8 aperture</a> can &#8220;focus &#8221; faster due to deeper <a href="http://en.wikipedia.org/wiki/Depth_of_field" target="_blank">depth-of-field</a></strong><strong>)</strong></p>
<p>4. More inter-changeable lens choices <strong>(an up close personal 28mm F8 shot of a stranger on the street is a 100 times more compelling than a 85mm F1.2 shot showing a reluctant face) </strong></p>
<p>5. <strong>You look like a PRO, you look like a PRO, you look like a PRO.</strong> Oh, what can I say? The whole world thinks you are a PRO. You get people asking you for business cards. You don&#8217;t really have to show your images. The gear you hang on your body speaks everything. No one dares to comment openly about your images. All you will hear is,<strong>&#8220;Nice. Very professional.&#8221; (I&#8217;d rather not live in delusion)</strong></p>
<p><strong>Conclusion: </strong>Yes, I still use my big professional SLRs when the need arises (faster frame rates, lenses, etc.) <strong>But I will always want my images to speak for me, NOT my equipments. </strong></p>
<p><strong>And the power of small cameras must not be undermined! A small and insignificant camera with a quiet shutter doubles up your photographic opportunities, even triples! It also tests your communication skills with your subjects!<br />
</strong></p>
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