I have recently grown much in love with small cameras like the Olympus E-P1, Leica M6, Rollei 35mini, and even the old classic legendary half-frame Olympus PEN FT, just to name some. My madness and fanaticism [...]]]>

Man smoking, waiting. Olympus E-P1 at 14mm, 16:9 format, built-in art filter. I was about 2 metres from my subject.

I have recently grown much in love with small cameras like the Olympus E-P1, Leica M6, Rollei 35mini, and even the old classic legendary half-frame Olympus PEN FT, just to name some. My madness and fanaticism over small cameras is not getting any better and in fact, is getting worse… though the Leica M9 at RM25k is way out of reach. I figured that I can do the same thing by mounting my Leica lenses on my Olympus E-P1 via an adaptor and manual focus it even better than the M9 by using live view. Haha… self-consolation maybe. Or use my full-frame film Leica M6. Cheers man!

Still, I am often humbled by the fact that good images do not rely on good cameras BUT good photographers! Just browse through Flickr and you will be humbled just like me. Many of my favourite shots often come from my small compact cameras too.

Why own a perfect, what I call a “magic camera” like the Nikon D700 or D3, that when you wanna “steal a shot”, the cameras are so huge that you will be caught way before you press your shutter button! Not unless you are using a 70-200mm telephoto or even longer, and stand 50 -100 feet away. However, I also remember Robert Capa said,” If your pictures aren’t good enough, you aren’t close enough.“ So, I guess wide angles and standards are still my preferred choices. I like to sneak up close and personal, “steal” a shot without scaring my subjects with huge cameras, and sometimes, “ask” for a shot from my subjects. (I’ll be writing on the difference between “stealing” and “asking” for shots in another post).

So, why do I call the D700 a “magic camera”? Cause it really can continue shooting at ISO6400 or higher when all other cameras “died” in the darkest environment ever. (Of course the Canon 5Dmark2 too will continue shooting, but maybe focus blur. Kidding… cause personally I think Nikon’s AF is better).

Then the Olympus shooters will exclaim, “why shoot in such lowlight when the lighting is not even good, all flat?” And the Olympus shooters will whip out their off-camera TTL flash and boasts of the best skin tones and lighting achievable in such situations! No doubt, they will get the best-looking portraits.

I often wonder, why still shoot when all around you is so blindly dark??? Oh, then I figured that maybe you are a paparazzi or a private investigator doing your job trying to catch someone in their “act”. Lighting is no longer important, “the act” is more!

Now that I’ve been missing my big SLRs, let me try listing down it’s advantages.

ADVANTAGES OF BIG DSLRs:

1. Faster frame rates (but the loud clanky shutter sounds will give you away)

2. Size and look will boost your self-confidence or ego (if being regarded as a professional by “how you look” is more important to you than your images)

3. Faster auto-focusing (compact cameras with F8 aperture can “focus ” faster due to deeper depth-of-field)

4. More inter-changeable lens choices (an up close personal 28mm F8 shot of a stranger on the street is a 100 times more compelling than a 85mm F1.2 shot showing a reluctant face)

5. You look like a PRO, you look like a PRO, you look like a PRO. Oh, what can I say? The whole world thinks you are a PRO. You get people asking you for business cards. You don’t really have to show your images. The gear you hang on your body speaks everything. No one dares to comment openly about your images. All you will hear is,“Nice. Very professional.” (I’d rather not live in delusion)

Conclusion: Yes, I still use my big professional SLRs when the need arises (faster frame rates, lenses, etc.) But I will always want my images to speak for me, NOT my equipments.

And the power of small cameras must not be undermined! A small and insignificant camera with a quiet shutter doubles up your photographic opportunities, even triples! It also tests your communication skills with your subjects!

I’ve been a professional photographer for more than 12 years, specializing mainly in portraits, weddings, people photography, whether choreographed or on-the-move. I have been a fervent Canon and Nikon user for years. But never have I encountered a small camera like the Olympus E-P1 that produces such quality in [...]]]>

Olympus PEN E-P1, image taken from dpreview.com

I’ve been a professional photographer for more than 12 years, specializing mainly in portraits, weddings, people photography, whether choreographed or on-the-move. I have been a fervent Canon and Nikon user for years. But never have I encountered a small camera like the Olympus E-P1 that produces such quality in it’s size with such user-friendly features.

Talking about “Making Photography Easy”. For years, since the camera was invented, the world has been wanting to make photography easy. A view-camera needs about 11 adjustments in order to take a picture. Then came the Nikons and Canons that only require THREE adjustments: Aperture, Shutter Speed and Focus in order to take a picture. And if this wasn’t easy enough, cameras that came later began to even do all THREE adjustments for us – the Program Autofocus SLRs!

To read a detailed article on the above, click here.

Olympus E-P1, shot through car windscreen in a rain, B&W art filter, 16:9 format.

Olympus E-P1 set to manual focus, b&w art filter, 16:9 format.

This shot shows that E-P1 is quick enough to capture action. My son did this action in a split-second. Though not as fast as a DSLR, it is not that bad after all.

I often ask myself, “Why do camera-designers always want to make things easier for us?”

Especially as a earning professional photographer, doesn’t it seem obvious that as photography gets easier and easier, our commanding prices go lower and lower since more and more people think that they can “do-it-yourself” anyway?

But if I think as an artist, I just want to focus on my feelings, my imaginations, my visions and indulge in all my five senses when I go out and create images with my camera.

Isn’t it so much easier to have a camera that doesn’t interfere with my thoughts, by introducing questions like what aperture to use and what shutter speed to set or whether the image is in focus?

Okay, you may disagree with me on this cause deciding how blur the background we want it to be or whether to use a slower shutter speed to depict movement, or whether to set it off-focus in order to create some abstractness do play a part in our creativity process.

But my point is, sometimes it really helps if you just indulge in all your five senses without being distracted by technical functionalities, and shoot what you feel!

Olympus E-P1, B&W art filter, 6:6 format. I pre-focused the camera to infinity before reaching out to shoot the birds returning to their home using the grainy black and white art filter mode.

Who says you can't see beautiful sunset downtown KL? Shot using "Sunset" Mode in Olympus E-P1, 16:9 format.

Shot using "Pop Art" art filter, Olympus E-P1, 16:9 format. This is a spontaneous shot, again done within seconds spotting the chef's head covered by a bunch of roast pork

Olympus E-P1, shot using "landscape" mode. It really does make the sky much nicer., 6:6 format

In today’s digital professional photographer’s context, things have just gone a lot worse! Our modern DSLRs contains at least 100 menu and function options! It throws you questions like “D-Lighting Off, Default, Auto, On, Normal?”, followed by trick questions like “Compression: Lossy or Lossless?”… etc. and etc.

Today, many professional digital photographers began to take pride in “setting their camera professionally” rather than concentrate on creating excellent images. Photography seems to have “developed more professionally” in recent digital days, cause to operate a DSLR is 100 times more difficult than an old film SLR!

And so we started thinking, maybe we can charge our clients more, since photography has gone so “difficult”! We started to tell our clients how high-end our equipments are, how difficult to use them, how expensive they cost, in order to justify and convince our clients to buy our services. I always thought as a proficient photographer, shouldn’t we be confident that our clients engage us because our works are good, not because of what equipment we own?

Olympus E-P1, B&W art filter 6:6 format

Olympus E-P1, B&W art filter, 4:3 format

The Olympus E-P1 is a camera so small that it fits into your bag easily. I have been carrying it and using it almost everyday since I bought it about 2 months ago. I use it for shooting “nonsense” in my daily life, use it for casual street shooting, and even use it for my professionally-paid wedding jobs!

I was caught previewing on the E-P1. DON'T SPEND TIME ON PREVIEWS! CONCENTRATE ON GETTING YOUR SHOTS!

FOR THE GEEKS:

The ISO is absolutely usable up to 3200. The default setting already produces fantastic images. It’s Auto ISO is also pretty reliable (I hardly have to switch it about). It’s IS (image stabilization) is most impressive! I ever use it down to 1/2 sec and still get a reasonably sharp picture.

You can choose to set “Graduation” to “Normal” instead of “Auto” to get deeper blacks but personally I prefer “Auto” as I prefer to increase contrast in Adobe Lightroom when necessary. I find that images can get too contrasty sometimes if I set it to “Normal”.

Olympus E-P1, Pin-hole effect art filter, 4:3 format

Olympus E-P1, Pin-hole effect art filter, 6:6 format

Olympus is amazing in it’s in-camera processing! It produces such good Jpegs that you almost have no necessity to shoot in RAW for easy post-processing. It’s absolutely a camera for people who just want to concentrate on ARTS and have minimal worries on camera settings or post-processing.

Also, you can choose to shoot in 4:3 format (default), 16:9 format, 3:2 format or 6:6 format for your creativity.

I fell in love with E-P1 files once I laid my eyes on it in a camera store downtown and immediately ordered one for myself. I find that Olympus’s digital files are processed in such a way, closest to what film achieves comparing to other brands. Being a fervent film shooter, I can easily appreciate Olympus’s efforts in processing their digital files closest to what film achieves. (But if you really like film, shoot film! Digital still has it’s digital characteristics in it.)

I have used the Canon 5D, the Nikon D700 (owned 2 of each at my craziest times). I have gone through post-processing my images since “Adobe Photoshop 5″ days. I would say this digital route for me since the Canon D60 (if anyone still remembers what it is) has been crazy! (I plan to write about my crazy path of switching from film to digital in a later post, so keep me bookmarked if you are interested).

What I can say is that after comparing the Canon files, the Nikon files and the Olympus files, I love the Olympus files the most! (Olympus is not paying me to say this)

I love the noise (It’s different from the Canon or Nikon’s noise), I love the skin tones, I love the contrast, I love the blacks (Nikon and Canon somehow captures blacks as grays), I love the colors and I love it’s Grainy Black and White and Pin-hole Art Filters!

Shot by my wife using "sunset mode". She's not a photographer, if you know what I mean.

Then, I love it’s handsome looks and it’s size too.

The best camera is the camera you can easily grab and use when opportunity arises. If you are looking for a camera that can boost your creativity, and it’s light and easy to carry around, with quiet and unobtrusive shutter sound, achieves jpeg files that require minimum post-processing, plus an added convenience of HD video recording (get an adaptor for leica m-mount lenses and you can easily achieve cinematic effects with F1.4 blur)… … … …

THIS CAMERA IS FOR YOU!

I have been a photographer since the late 90s in Singapore and moved to Malaysia in 2003. My career has been established as a wedding photographer for most part of my life but have since moved on to teaching photography and photographing my other interests, namely family and [...]]]>

shot by a good friend named Johan Khoo

I have been a photographer since the late 90s in Singapore and moved to Malaysia in 2003. My career has been established as a wedding photographer for most part of my life but have since moved on to teaching photography and photographing my other interests, namely family and personal portraits, social documentary, street photography and still life. I still shoot weddings but on the minimum. If you have an artistic idea or any artistic project, do give me a call or send me an email, I’ll gladly take it up if it fulfills my “criteria”.

I believe images should be able to speak for themselves without difficult titles or descriptions that are hard to understand. I love photographs that can speak for themselves without much “gimmicks”. I love to preserve the original moments.

My strength in teaching is in guiding individuals in discovering about themselves in photography and in developing their individual styles.

To read more about me, please click on the “about” page above.

I love to meet people, so don’t be afraid to set up an appointment with me. My contact details can be found in the contact page above. Cheers!